I wrote this post to model what a research diary entry could look like, for my Latin American Media course. It’s a little rough, but I wanted to set an informal tone because I thought that if I did that, students would be more inclined to write freely. I wrote about the research diary in a previous post.
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A day in the life of Dr. Medina (or how I learned to love Kony 2012)
Let me start by saying this… I decided to write the Kony parody essay because I was very annoyed by Kony 2012. I kept reading all of these really negative reviews about the video’s assumptions of orientalism and white man’s burden. However, I didn’t want to spend months of my time trying to examine orientalism in Kony 2012. I wanted something different, so after giving it some thought, I realized that I was really interested in parody. More specifically, I thought I could make the argument that parody through YouTube is an example of participatory culture. So I figured I’d educate myself on both parody and participatory culture, in order to come up with the literature review for the project. I got done writing that sometime in June, and I also selected the videos at around the same time.
Now that selection was challenging. I didn’t realize that so many people mislabel things as parody. I mean, if you use an academic definition of parody, which is what I did, many of the videos that claim to parody Kony 2012 are just making fun of it. It’s not the same thing. A parody intends to mimic elements of the original, often in an exaggerated manner TO MAKE FUN OF IT. No mimicry? no parody. Furthermore, parody is really a critical art form (Bakhtin says so!). Parodists can point out the flaws in an argument. That, in itself, is a form of socio-cultural critique, and that’s what drew me to this project.
Anyway, I ended up with a list of selection parameters, which may sound totally arbitrary, but they helped me immensely. As far as I know, there’s no “how to pick YouTube videos” magical guide out there. Nope, you have to figure that out on your own, so I said I’d only look at videos uploaded in April, that could be considered user-generated content. The videos also had to have over 1000 views, and they had to fit the definition of parody I am using. I also decided to look only at content with intelligible audio, as I found that several videos that fit the above mentioned criteria, weren’t useful at all because I could not understand the narration. Also, as a safety precaution, I downloaded all the source material to my laptop. I did not want to run the risk of videos “disappearing,” and if that were to happen, I’d probably have to re-think whether or not to keep them in the sample. I thought I’d cross that bridge if I got to it.
And I did. It happened in two ways. First, I had selected a video called Yoda 2012. It was perfect, except for one thing. It was not user-generated content. As it turned out, it was produced by The Poke, which a British version of The Onion. Another YouTuber cut out the final credits of the video, and then posted it as their own. I had already taken extensive notes about it, but I had to drop it, and that wasn’t the only instance of wasted work. I also had a video called Giovanni 2012. This one was most definitely user generated. However, when I revisited my sample after a few weeks off, it had been made private. I had a downloaded copy of it, but I decided that it would be unethical to use it. The person who created it had reasons to retrieve it from public view, and I wasn’t about to ask why, or just take advantage of the fact that I had a copy, so that was that.
After these two experiences, I went back to my original selection parameters. I decided to keep April as my reference month for the publication, but I added that the videos had to come from accounts in good standing. Whomever posted the recut Yoda 2012 video had their account suspended, and that’s how I ended up realizing that it was recut. I am very glad that I did.
I have now been working on and off on the essay for a few weeks. I have a whole first draft completed, and my thinking has somewhat changed. As I was looking into YouTube, I realized that there’s more to parodies on the site than criticism. These videos are also being produced within a commercial platform that provides incentives to individuals who are willing to host advertisement on their videos. It’s an issue that appeals to my darker, political economy side, and I’m in the process of exploring it more fully.
More to that later.
Filed under: Technology, kony 2012, parody, projects, research, work in progress, youtube

















July 30, 2012 • 11:09 pm Comments Off
#NBCFail and the new Heidi Game (updated)
I have been watching the olympics faithfully, but not on NBC. It’s one of the unexpected benefits of visiting my homeland, Nicaragua. Unlike NBC, our local licensee, Canal 10, is showing the London games live, and though their commercial breaks are often clumsy, at least they’re not the subject of a widespread backlash, nor has anyone from Canal 10 taken to Twitter to complain about whinny viewers. Nope, that was Vivian Schiller, NBC’s Chief Digital Officer.
I understand tape delays. It’s like Les Moonves says, if you don’t use the tape delay, you wouldn’t have anything to show during prime time. If you make your money from selling commercials, prime time is where you want to show your premium content. The thing is, though, that you can still monetize the olympics while airing the signature events live, and without infuriating your audience. In Canada, CTV is doing just that. Its live telecast of the opening ceremony broke audience records for Canada, just like NBC’s did for the US. The big difference is that while NBC is garnering a lot of ill will from the audience that uses social media, Canadian viewers love CTV. I just wish NBC would stop pretending that tape delays are live. Why not call the olympic prime time coverage what it is, a highlights show?
However, the issue is not just about tape delays. American audiences are using Twitter to complain about NBC’s handling of the olympics as a whole. For instance, their decision to replace Akram Khan’s tribute to the victims of the London bombings of 2005 with an interview with Michael Phelps drew plenty of criticism.
NBC felt the edit was justified, though. It’s something routine, they said. Moreover, they did not stream the opening ceremony because they insist that it was just too complex for the internet. The opener needs context, which their anchors, Meredith Viera, Matt Lauer and Bob Costas would provide . The thing is that the context included memorable gaffes, such as Meredith Viera’s offhand comment about Tim Berners-Lee, and Matt Lauer’s quip about Madagascar. If this was an attempt at humor, Viera and Lauer failed, at least according to those annoyed viewers who took to Twitter.
As if this wasn’t enough, NBC has repeatedly spoiled its own primetime broadcast. The network holds back the main events, such as the Ryan Lochte – Michael Phelps show down in the 400 IM, only to reveal the outcome prior to the telecast. Missy Franklin’s gold medal performance in the pool was likewise spoiled, when the network decided to air a promo of her interview in the Today Show just minutes before showing the actual swim.
Spoling is nothing new. It’s a common activity that has emerged within what Henry Jenkins and others have come to call participatory culture. Spoiling is like a game, a challenge that extends the pleasure that people get out of watching television (see Jenkins, 2006). However, when NBC spoils itself, there is no challenge and no skill required. There is a fundamental misunderstanding of how participatory cultures operate online. These are cultures that take shape because of the technologies that allow people to create, share, and debate easily, and to feel that “their contributions matter” (Jenkins, Purushotma, Clinton, Weigel & Robinson, 2009, p 7).
NBC’s heavy handling of criticism on Twitter shows the opposite. The network clearly underestimated the backlash its complaint against Guy Adams would garner. Alerted by Twitter, NBC filed a complaint against Adams, a freelancer for The Independent, and got him suspended from Twitter for publishing Gary Zenkel’s email address. Zenkel is the president of NBC Olympics, and Adams encouraged irate tweetizens to email their complaints to this NBC executive. This is a violation of the Terms of Service, according to Twitter, though it is debatable that a corporate email should be considered private information. If it is, discontented twitter users didn’t buy it, and neither did The Independent and other critics. In fact, the entire incident was characterized as censorship of the worse variety, and also as hypocritical. After all, Spike Lee was not banned for tweeting what he thought was George Zimmerman’s home address. Twitter took plenty of flack for its role, and it reinstated and apologized to Adams. NBC rescinded its complaint, and now the network admits that they “didn’t initially understand the repercussions” of their action against Adams. That’s a pretty big admission. It makes me wonder if NBC understands how Twitter operates as a culture.
Granted, the peacock network is achieving its ratings objectives, but it has done so at the expense of the goodwill of some of the most media savvy fans of the olympics. These individuals are part of a new type of culture that has been enabled through our ability to connect, access, and share information. Yes, American audiences are watching NBC, unless there are other choices. Some of the more media savvy viewers are already bypassing NBC altogether. It’s not that hard. Just go to Reddit or Lifehacker, or read Jeff Jarvis’ column and you can learn all about it.
It’s obvious that today’s audiences are more savvy and can become vocal quite easily because the tools to express discontent are readily available. It’s the same tools we use to find out the results of olympic competitions before NBC’s primetime telecast. However, NBC goes on, and I can’t help but wonder if the peacock network is intent on matching the infamous Heidi Game of 1968.
To NBC’s credit, they did apologize for the Heidi Game. As of this writing, they haven’t acknowledged the barrage of negative comments posted on their Facebook page, and the only gesture to the audience, as far as I can tell, is that Jim Bell, executive producer of the olympic telecast, has responded to complaints through Twitter. For instance, here’s what he said about spoiling the results.
It’s a start, but is it enough? Bell also shared this entry from Business Insider on Twitter. I don’t think that something titled ”Shut your pie-holes, people: NBC’s Olympics Coverage is Perfect” is going to win too many points for NBC. Surprisingly, the thousands of Twitter users availing themselves to the #NBCFail hash tag haven’t latched on to that one.
Let’s just hope that NBC gets better at harnessing social TV for the next olympic games. After all, they did buy the rights until 2020.
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Filed under: Commentary, social media, Technology, #lauer, #NBCfail, #viera, guy adams, NBC, olympics